22 which artwork was referred to as “an explosion in a shingle factory”? Ultimate Guide
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‘Armory Show’ That Shocked America In 1913, Celebrates 100 [1]
‘Armory Show’ That Shocked America In 1913, Celebrates 100. ‘Armory Show’ That Shocked America In 1913, Celebrates 100
The International Exhibition of Modern Art — which came to be known, simply, as the Armory Show — marked the dawn of Modernism in America. It was the first time the phrase “avant-garde” was used to describe painting and sculpture.
Two-thirds of the paintings on view were by American artists. But it was the Europeans — Van Gogh, Gauguin, Cezanne, Picasso, Matisse, Duchamp — that caused a sensation.
Explosion in a Shingle Factory [2]
Marcel Duchamp’s Nude Descending a Staircase, №2 (1912) resists categorization.. It mocks Cubism yet integrates Cubist principles; it combines a dash of whimsy Dada with mechanical Futurism; it prominently features a nude yet subverts traditional convention as to what a nude should be.
I named this blog after my favorite of these ridiculing titles for two reasons.. First, I want to acknowledge an artist, who challenged how we think of art and it’s very definition
Nude, after all, was not painted in all seriousness, and pokes fun at convention while opening a forum for discussion on what exactly art is. What some might see as a catastrophic “explosion” can be viewed by others as a monumental achievement.
Marcel Duchamp (1887–1968) [3]
Embodying the intellect of his literary contemporaries Marcel Proust and James Joyce, Marcel Duchamp (1887–1968) has been aptly described by the painter Willem de Kooning as a one-man movement. Jasper Johns has written of his work as the “field where language, thought and vision act on one another.” Duchamp has had a huge impact on twentieth-century art
Instead, Duchamp wanted, he said, “to put art back in the service of the mind.”. Born in Normandy in northern France, Duchamp traveled back and forth between Europe and the United States for much of his life
One of his most important works, Nude Descending a Staircase (No. 2) (1912; Philadelphia Museum of Art) (a second version of a work on cardboard from 1911), however, reflects Duchamp’s ambivalent relationship with Cubism
Marcel Duchamp and the Readymade [4]
Marcel Duchamp was a pioneer of Dada, a movement that questioned long-held assumptions about what art should be, and how it should be made. In the years immediately preceding World War I, Duchamp found success as a painter in Paris
Seeking an alternative to representing objects in paint, Duchamp began presenting objects themselves as art. He selected mass-produced, commercially available, often utilitarian objects, designating them as art and giving them titles
Instead, Duchamp argued, “An ordinary object [could be] elevated to the dignity of a work of art by the mere choice of an artist.”. The readymade also defied the notion that art must be beautiful
Readymade [5]
Duchamp’s earliest readymades included Bicycle Wheel of 1913, a wheel mounted on a wooden stool, and In Advance of the Broken Arm of 1915, a snow shovel inscribed with that title. In 1917 in New York, Duchamp made his most notorious readymade, Fountain, a men’s urinal signed by the artist with a false name and exhibited placed on its back
For his readymades Duchamp deliberately chose ordinary, functional – and rather dull – objects. ‘…based on a reaction of visual indifference, with at the same time a total absence of good or bad taste…’
Although the term readymade was invented by Duchamp to describe his own art, it has since been applied more generally to artworks made from manufactured objects. For example works by YBA artists Damien Hirst, Michael Landy and Tracey Emin, (such as Emin’s My Bed 1998) can be described as readymades
In 1913, A New York Armory Filled With Art Stunned The Nation [6]
In 1913, A New York Armory Filled With Art Stunned The Nation. One hundred years ago in New York City, nearly 90,000 people came to see the future of art
Today these artists are in major museums around the world, but in 1913, they were mostly unknown in America.. Boasting 1,400 works — from artists such as George Braque, Mary Cassatt, Paul Cezanne, Edgar Degas, and many, many more — it was the biggest art show New York had ever seen
Normally used to store arms and train troops, the 69th Regiment Armory on East 25th Street was an odd venue, but it was big enough to hold it all. “There were lots of comparisons in 1913 of the Armory Show being a bomb from the blue, so the Armory is not inappropriate,” says curator Kimberly Orcutt.
Infamy and Influence [7]
Philadelphia Museum of Art, The Louise and Walter Arensberg Collection, 1950-134-59. © Artists Rights Society (ARS), New York / Estate of Marcel Duchamp
2) played a crucial role in spreading European modernism across the United States. A clear view of the painting was nearly impossible during its debut at the New York Armory Show of 1913 as crowds constantly surrounded this peculiar “abstraction.” Boldly breaking with tradition, Duchamp depicted a nude, mechanical-looking figure descending the stairs instead of reclining or lying down as convention dictated
affront to American morals and rules of social decorum.. Although the notoriety of this mechanical nude would precede Duchamp’s personal reputation throughout the early decades of his career, its initial reception was one of bewilderment and outrage
Nude Descending [8]
This is Marcel Duchamp’s painting titled Nude Descending a Staircase.. It’s the work most often mentioned when people refer to the 1913 Armory Show
One reviewer wrote quote, “ There is no nude and no stairway. Why under heaven should an artist want to paint such an object, and why should such a performance be called art?” Another said it looked like quote “an explosion in a shingle factory.”
In essence it’s an abstracted human figure walking from left to right down a flight of 3 or 4 wooden steps. But the human walking down the steps is not the least bit realistic
When Duchamp Agreed to Forge One of His Most Famous Works [9]
When Duchamp Agreed to Forge One of His Most Famous Works. © Artists Rights Society (ARS), New York / ADAGP, Paris / Estate of Marcel Duchamp
As of 1919, two duplicate and identically sized versions of Marcel Duchamp’s iconic Nude Descending a Staircase (No. One hung prominently above the couch, dwarfing a small Renoir; the other was mounted above a wooden desk
Visitors to the Philadelphia Museum of Art (PMA), to which the Arensbergs gifted their collection in 1950, may be similarly confused now, since both of those works are presently (and uncharacteristically) on view. One holds its usual spot in the permanent galleries, and the other punctuates the last room of the recently opened exhibition “Modern Times: American Art 1910–1950.”
The Armory Show of 1913 [10]
Perhaps it is hard to believe now, but just before the first World War, relatively few Americans were familiar with artists such as Pablo Picasso, Henri Matisse, Paul Cézanne, Vincent Van Gogh and scores of others equally notable. That all changed in February of 1913, when one of the most important exhibits in the history of modern art was mounted, and it all happened in the Flatiron district
It had been completed seven years earlier, but first entered the national spotlight as the setting for the International Exhibition of Modern Art, or as it became known, the Armory Show.. As a bronze plaque next to the Armory entrance points out, it was an event that “revolutionized the American art movement by bringing to national attention the new art forms of native American and modern European painters and sculptors.”
Modern art, especially Cubism and Futurism, was a shock to a public accustomed to more conventional means of expression. One of the most controversial works on exhibit was Marcel Duchamp’s “Nude Descending a Staircase, No
Art Now and Then [11]
If a single painting could be said to have brought Modern Art to American, it would have to be Marcel Duchamp’s Nude Descending a Staircase #2. Painted in 1912, and first exhibited at the Armory Show in New York shortly thereafter, it sparked a firestorm of criticism and outrage
Today it can be seen in the Philadelphia Museum of Art
Marcel Duchamp as a Contemporary Praxis [12]
Marcel Duchamp, the Artist, and the Social Expectations of Aging[1]. (French artist Marcel Duchamp (1887-1968) is considered by many art professionals to be the greatest artist of this century
Indeed, much of Duchamp’s work anticipates what today is called postmodern theory. The Duchamp career speaks to issues of aging because over the span of an entire lifetime of 81 years there was no diminution of quality of innovation, theory, or power.)
From the age of 25 and continuing until his death at the age of 81, he developed a set of radical theories that literally redefined art as a contemporary praxis. Duchamp died in 1968 in New York City, where he lived most of his life after successively fleeing both world wars in his native France.
New York art exhibit celebrates centennial of iconic 1913 show [13]
NEW YORK (Reuters) – A century after the controversial 1913 Armory Show in New York challenged America’s perception of art, a new exhibition is celebrating the event with works from the original including masterpieces by Henri Matisse, Marcel Duchamp and Francis Picabia.. “The Armory Show at 100: Modern Art and Revolution” opens at the New-York Historical Society Museum & Library on Friday and runs through February 23 next year
“We couldn’t let the 100-year anniversary go by without doing something. The Armory Show was probably the most important art exhibition in America,” Marilyn Satin Kushner, the co-curator of the exhibition, said in an interview.
The exhibition includes 100 works from the original show by artists such as Duchamp, whose masterpiece “Nude Descending a Staircase” was mocked and compared at the time to an explosion in a shingle factory, and Matisse’s “Blue Nude,” considered depraved for its distortion of the female form.. Francis Picabia’s “Dances at the Spring” was likened to a patchwork quilt.
Offensive Works Of Art [14]
Marcel Duchamp – Nude Descending A Staircase #2, 1912. The work is widely regarded as a Modernist classic, and has become one of the most famous of its time
Duchamp’s brothers, Jacques Villon and Raymond Duchamp-Villon, sent by the Salon des Indépendants hanging committee, asked him to voluntarily withdraw the painting, or paint over the title and rename it as something else. According to Duchamp, Cubists such as Albert Gleizes found that his nude wasn’t quite in line with what they had already investigated
Julian Street, an art critic for the New York Times wrote that the work resembled “an explosion in a shingle factory,” and cartoonists jumped on the bandwagon satirising the piece. It was never the less sold to the San Francisco lawyer and art dealer Frederic C
Explosion in a Shingle Factory [15]
Salvador Dali loved to make a scene and fuel his own vanity. He was never one to shy away from his self-proclaimed genius, and never passed up the opportunity for an outrageous stunt.
The intention of the suit was undoubtedly to show off his unique individualism. Suffocating and unable to breathe, Dali finally escaped the suit thanks to the help of his wife and a hammer
Another time, he appeared on the show What’s My Line, where a panel of blindfolded judges attempted to guess the identity of the show’s guest based on his answers to their questions. Dali fancied himself a Renaissance man, and claimed to be known for his performances, athletics, writing, and art
ESP Timeline: Arts and Culture vs Visual Arts (1910-1919) [16]
ESP | Our Content | This Website | WHAT’S NEW | WHAT’S HOT. The Electronic Scholarly Publishing Project: Providing access to classic scientific papers and other scholarly materials, since 1993
The ESP Timeline (one of the site’s most popular features) has been completely updated to allow the user to select (using the timeline controls above each column) different topics for the left and right sides of the display.. Paul Johann Ludwig Heyse awarded the Nobel Prize in Literature “as a tribute to the consummate artistry, permeated with idealism, which he has demonstrated during his long productive career as a lyric poet, dramatist, novelist and writer of world-renowned short stories”.
His last completed work, it was first exhibited at the Salon des Indépendants from 18 March to 1 May 1910, a few months before his death on 2 September 1910. Rousseau’s earlier works had received a negative reception, but poet and critic Guillaume Apollinaire remarked on its debut: “The picture radiates beauty, that is indisputable
Nude Descending a Staircase, No. 2 [17]
2 (French: Nu descendant un escalier n° 2) is a 1912 painting by Marcel Duchamp.. In the composition, Duchamp depicted motion by successive superimposed images, similar to stroboscopic motion photography
Duchamp also recognized the influence of the stop-motion photography of Étienne-Jules Marey.. Duchamp first submitted the work to appear in a Cubist show at the Salon des Indépendants in Paris, but jurist Albert Gleizes asked Duchamp’s brothers, Jacques Villon and Raymond Duchamp-Villon, to have him voluntarily withdraw the painting, or paint over the title that he had painted on the work and rename it something else.
It was really a turning point in my life, I can assure you. I saw that I would not be very much interested in groups after that.
Artists: Pop’s Dado [18]
In the 1940s, Picasso was almost every painter’s ghostly father. In the ’50s it was Hans Hofmann who schooled the abstract expressionists
As far back as anyone can remember, Duchamp has exulted in controversy. In 1913 his Nude Descending a Staircase, described at the time as “an explosion in a shingle factory,” was the belly blow of Manhattan’s Armory Show
Armory Show | Modern Art, 1913 NYC Exhibition [19]
Our editors will review what you’ve submitted and determine whether to revise the article.. Armory Show, formally International Exhibition of Modern Art, an exhibition of painting and sculpture held from Feb
The show, a decisive event in the development of American art, was originally conceived by its organizers, the Association of American Painters and Sculptors, as a selection of representational works exclusively by American artists, members both of the National Academy of Design and of the more progressive Ashcan School and The Eight. Davies as president of the association changed this conception
He was also a man with a broad, highly developed taste, capable of appreciating trends in art far more radical than his own style, and he was aware of developments in Europe. Davies, with the help of Walt Kuhn and Walter Pach, spent a year, much of it in Europe, assembling a collection that was later called a “harbinger of universal anarchy.” The exhibition traveled to New York City, Chicago, and Boston and was seen by approximately 300,000 Americans
Marcel Duchamp Played With the Definition of Art and Now the Public Can, Too [20]
Marcel Duchamp Played With the Definition of Art and Now the Public Can, Too. Art connoisseurs Aaron and Barbara Levine amassed a formidable body of the artist’s works; they’d like nothing better than for you to see it
Inside the meticulous work, with its sliding compartments and unfolding displays, were miniature representations of 68 Duchamp works over half a century. Among them are those that shook and continued to influence the art world, from Nude Descending a Staircase and The Bride Stripped Bare by Her Bachelors, Even to his readymades and the mustache he put on a reproduction of the Mona Lisa.
It also became a kind of roadmap for the Levines in finding further works by the artist who died 51 years ago.. “He absolutely went crazy about it,” Barbara Levine says of her husband’s reaction to the artist behind The Box in a Valise
Marcel Duchamp – Explore Marcel Duchamp’s Art and Interesting Life [21]
The art he produced during his life was very much ahead of its time. For this reason, it was not appreciated until nearly 50 years after its creation
In the modern-day, he is seen as a creative genius and is credited with having paved the way for Conceptual art.. – 4 A Closer Look at Marcel Duchamp’s The Large Glass (1923)
|Mediums Used||Painting, Sculpture, Collage, Short Films, Body Art, Found Objects|. Marcel Duchamp is considered to be one of the most important contributors to modern art
The effortless magnetism of Marcel Duchamp [22]
One could compile a fat anthology of tributes to Marcel Duchamp’s charm – especially what one friend called the artist’s ‘physical fineness’ – but it would be hard to top Georgia O’Keeffe’s memory of their first meeting:. When I finished he rose from his chair, took my teacup and put it down at the side with a grace that I had never seen in anyone before and have seldom seen since.
A mysterious figure, kind, clever, calm, elegant, easy and almost programmatically unconventional, he exerted – without ever exerting himself – a magnetism at once obvious and inexplicable. Surrounded by lovers, friends and admirers, he remained noticeably detached; the same woman who remarked on his physical fineness also called him a ‘poor little floating atom’.
Breezily entertaining (there’s more love here than art), its essential shape is triangular, with Duchamp inevitably at the apex. Henri-Pierre Roché, an unrelentingly priapic French journalist, and Beatrice Wood, an aspiring actress and incurable romantic, were both in love with Duchamp and then with each other but still also with Duchamp
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